A scenic proposal that aims to generate empathy, fantasy, dialogue and communication, within a fantastic Martian universe.
The phrase that gives the proposal its title has been heard many times by its creators when they say that they dedicate themselves to dance.
In this battle, creativity and musicality are the keys to winning.
AQUÍ is a visceral interaction in an architectural space unfolding an animalistic dialogue.
A solo that delves into waiting and the relationship of the body with present-past time.
Mírala cara a cara is a proposal that aims to approach the sevillana dance through contemporary dance.
This proposal leads us to ask ourselves about our origins, our relationships with the environment in which we are born, grow and develop as part of the land and its customs, as well as the cultural legacy we inherited from our family.
AQUÍ is a visceral interaction in an architectural space unfolding an animalistic dialogue.
Dansa València, as a promoter of the Valencian professional sector, hosts in a showcase format the latest pieces by five local creators who have been selected by a commission of experts.
Fandango is constructed as an archaeological investigation in which dance activates a common ritual experience.
Human experiences and the great questions of the human being, those that have not changed since ancient times, serve as poetic nourishment in Halley.
Inspired by Petrarch’s Ascent of Mont Ventoux, KOR’SIA seeks answers from the humanist past for the conflicts being proposed to us by a 21st-century paradigm shift.
I am the underground vibration of a folklore that runs through our mestizo identity. (Prerelease)
Like an invisible ghost, dance can travel in time, cross borders and possess our bodies.
In Ágape an irresistible love is celebrated between the pathetic and the miraculous.
Fandango is constructed as an archaeological investigation in which dance activates a common ritual experience.
Scheduled until April 21. Then, Judith understood that she had to open the seventh door.
A BEGINNING_expanded version is a piece for ten performers that explores the relationship between voice, light, and movement.
I don’t know where the dubious reputation of weeds comes from… they exist without asking anyone for anything.
A BEGINNING_expanded version is a piece for ten performers that explores the relationship between voice, light, and movement.
We believe in the power of the imagination, creative risk-taking, and continuous research towards dynamic physicality.
Vuelta a Uno is a reencounter with that which is alive, with euphoria and pleasure, it is soil intoxicated by a thumping beat…
Scheduled until April 21. Then, Judith understood that she had to open the seventh door.
Starting from our frustrated goals of being Pop Superstars and with the intention of finding a space for the most characteristic and canonical musical styles of mainstream culture in theaters…
Hacia un sol negro is a confederation of monstrous and delicate corporalities, in permanent transformation, that raises questions about the figure of the dancer and dance, the human, the fictionalized body and the many categories…
Vibrant and assertive, Alice Ripoll’s latest creation echoes the aspirations of Brazilian youth at a time of socio-political transition.
Scheduled until April 21. Then, Judith understood that she had to open the seventh door.
Tender Skin is a piece that navigates through the murmur of the past and present, urging us to understand what enutes and pushes us to combat…
This proposal leads us to ask ourselves about our origins, our relationships with the environment in which we are born, grow and develop as part of the land and its customs, as well as the cultural legacy we inherited from our family.
Multiperspectivas#2 by Paula Quintas is an proposal that starts from the perspective of the spectator as a contemporary reflection.
Fandango is constructed as an archaeological investigation in which dance activates a common ritual experience.
The Disappearing Act is Yinka Esi Graves’ first solo production.
We’ve devised this programme in order to tell a story with others that reflects who we are and to celebrate the many different kinds of writing by choreographers who have helped shape our gaze, who gave us our first emotions and who are still alongside us today. (National premiere)
Scheduled until April 21. Then, Judith understood that she had to open the seventh door.