Ballet national de Marseille (LA)HORDE
Roommates
Data:
Sunday 21, April 2024
Place:
Teatre Principal
Time:
21.00h
Duration:
75'
Price:
From: 8€
Provenance:
Marsella, France
Synopsis

(National premiere)

We’ve devised this programme in order to tell a story with others that reflects who we are and to celebrate the many different kinds of writing by choreographers who have helped shape our gaze, who gave us our first emotions and who are still alongside us today. We feel it’s more important than ever to pay homage to them now with this project.

The programme comprises six pieces: two artistic propositions by (LA)HORDE, hyperrealist dance-theatre by Peeping Tom, the contemporary vision of Claude Brumachon and Benjamin Lamarche, the minimalism of Lucinda Childs and the shock of Cecilia Bengolea and François Chaignaud’s writing.

By bringing such diverse works together, our intention is to challenge the notion of archives and heritage. Each of the choreographers explores the way in which pieces are appropriated or re-appropriated, regardless of whether they are in their own repertoire. Why is this repertoire being revived and updated?

Trajectory

Formed in 2013 and heading up the CCN Ballet national de Marseille since 2019, (LA)HORDE is comprised of the artists Marine Brutti, Jonathan Debrouwer and Arthur Harel. Through films and performances they question the political scope of dance and map choreographic forms of popular uprising, whether they are widespread or isolated, from raves to traditional dances by way of jumpstyle. Their exploration of new dynamics in the circulation and representation of dance and the body that have emerged online led them to develop their concept of “post-internet dances”.

Artistic Team

Concept: (LA)HORDE – Marine Brutti, Jonathan Debrouwer, Arthur Harel

Choreographers: Cecilia Bengolea & François Chaignaud, Oona Doherty, Franck Chartier – Peeping Tom, Lucinda Childs, Claude Brumachon & Benjamin Lamarche, (LA)HORDE

With the dancers of the Ballet National de Marseille: Sarah Abicht, Izzac Carrol, Joa Castro, Titouan Crozier, Myrto Georgiadi, Jonatan Jorgensen, Nonoka Kato, Aya Sato, Paula Tato, Nahimana Vandenbussche, Antoine Vander Linden, Elena Valls Garcia

 

PROGRAM

GRIME BALLET (DANSER PARCE QU’ON NE PEUT PAS PARLER AUX ANIMAUX)

Choreography and costumes: Cecilia Bengolea & Francois Chaignaud

Choreography assistant: Erika Miyauchi

Music: Stitches

 

LAZARUS

Choreography and costumes: Oona Doherty

Choreography assistant: Sandrine Lescourant – Mufasa

Outside look: Gabrielle Veyssière

Music: Deus D’Allegri, mixed by Oona Doherty

Lighting creation: Lisa Mary Barry, in collaboration with Eric Wurtz

 

OIWA

Choreography and costumes: Franck Chartier – Peeping Tom

Choreography assistant: Louis-Clément Da Costa

Music: Atsushi Sakai

Sound design: Raphaëlle Latini

Wardrobe assistant: Héloïse Bouchot

 

< Intermediate >

 

CONCERTO

Choreography and costumes: Lucinda Childs

Choreography assistant: Jorge Perez Martinez

Music: Henryk Górecki

 

THE INDOMPTÉS

Choreography: Claude Brumachon

Choreography assistant: Benjamin Lamarche

Music: Wim Mertens

 

ROOM WITH A VIEW – EXTRAIT

Choreography: (LA)HORDE

Costumes: Salomé Poloudenny

Music: RONE

 

Repeater: Julien Monty
Chest of drawers: Anna Martínez
Sound engineer: Virgile Capello
Lighting Management: Louisa Mercier
General management: Alexis Rostain

 

Production Ballet National de Marseille – direction (LA)HORDE
Co-production Théâtre de la Ville-Paris.

With the support of Dance Reflections by Van Cleef & Arpels.

The CCN Ballet National de Marseille – direction (LA)HORDE receives support from DRAC Paca, the Ministry of Culture, the City of Marseille and the BNP-Paribas Foundation.

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Estrena
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